Ill just have to experiment on my own with it and see. Not sure if this idea is realistic or not without throwing off the listener. It’s in no way necessary in pop styles.I think extending a bar by 1 or 2 beat wont do much to really stand out.I really want to try and make a typical hip hop instrumental and have it formatted in 4/4 but then switch it to a different time signature for the prehook along for At LEAST 4 bars before it transitions into the Hook which will be your typical 8 bars. The key is to simply listen to how others do it, and appropriate your own ideas.Īs has been pointed out - 3/5 is 3 fifths, not a time signature, which has to be over 2/4/6/8 (in general - maybe you get /1 or /16 technically but rare). Awkward but deliberately so.Īnyway, the most common use I’d imagine of time signature changes in pop music is either to extend or shorten a bar by 1 or 2 beats - you can hang on before the final chorus, or drop unexpectedly into a middle 8. The verse was a pattern of 123 123 123 12 (kind of insistent, snare led), and the chorus was effectively 12/8 (ie swing) but dropping the last quaver to give it a sort of awkward unexpected turnaround. Yes time signature changes can feel awkward. Is there a certain type of transition that would be needed for say if you had a pre hook that was 3/5 and then immediately carry over to 4/4 without it being awkward?As has been pointed out - 3/5 is 3 fifths, not a time signature, which has to be over 2/4/6/8 (in general - maybe you get /1 or /16 technically but rare).Īs for how you use it - you write music. I think it will happen when the time is right its just my main question really is this:
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